书体:

楷书

色彩:

装裱形式:

册(折装‧方幅式)

创作时间:

文字类型:

汉文

质地:

本幅纸前副叶纸

释文:

印记资料:

鑑藏宝玺：乾隆御览之宝
鑑藏宝玺：乾隆鑑赏
鑑藏宝玺：石渠宝笈
鑑藏宝玺：三希堂精鑑玺
鑑藏宝玺：宜子孙
鑑藏宝玺：养心殿鑑藏宝
鑑藏宝玺：太上皇帝之宝
鑑藏宝玺：嘉庆御览之宝
鑑藏宝玺：宣统鑑赏
鑑藏宝玺：无逸斋精鑑玺
收传印记：夏之是季爵
收传印记：贞
收传印记：元
收传印记：季雅
收传印记：陈继儒印
收传印记：眉公
收传印记：眉公
收传印记：眉公
收传印记：仲醇氏
收传印记：陈眉公书画记
收传印记：陈眉公书画记
收传印记：（一印漫漶不识）

题跋资料:

题跋类别：题跋；作者： ；题跋位置：本幅；款识：崇祯戊寅（1638）四月。宋献同王毗翁观于眉公古香亭院。；书体：楷书；全文：崇祯戊寅（1638）四月。宋献同王毗翁观于眉公古香亭院。

题跋类别：题跋；作者：董其昌幅前崇祯乙亥（1635）六月董其昌书；全文：；书体：楷书；全文：山海经。（有赞）。元曹世良手抄。明姚公绶。王元美。陈眉公。家藏。崇祯乙亥（1635）六月董其昌书。印记：青宫太保、董其昌印签 封面 ；书体：行楷书；全文：曹善书山海经。一。

主题:

技法:

参考资料:

收藏着录： 石渠宝笈初编（养心殿），上册，页474-475 收藏着录： 故宫书画录（卷三），第一册，页53-54 参考书目： 1.朱惠良，〈元曹善书山海经〉，收入《云间书派特展图录》（台北：国立故宫博物院，1994年初版），页127-128。 内容简介（中文）： 曹善（活动于西元十四世纪后期），江苏华亭人，字世良，号樗散生，有诗名，处世刚正，不合于时。明太祖时，宋濂荐于朝，累征不起，苦志临池，初学锺繇，行草学二王，与兄世长、兄子恭，具有书名，一时称为东吴三曹。考曹知白之子名永，字世长，并无兄弟，善当为其族弟。本幅小楷书山海经，书于至正乙巳年（西元一三六五年），书风质朴端严，结字参差，用笔古拙之处可见锺繇遗法。 内容简介（英文）： Ts'ao Shan (style name Shih-liang, sobriquet Shu-san-sheng) was a native of Hua-t'ing, Kiangsu who was famous for his poetry. He was rather inflexible and stubborn in carrying out affairs so he did not fare well in society. During the reign of Ming T'ai-tsu (r. 1368-1398), Sung Lien recommended Ts'ao Shan many times. However, instead of agreeing to serve at court, he remained steadfast and practiced calligraphy. He first studied the calligraphy of Chung Yu. For running and cursive scripts, however, he followed the styles of the two Wangs. His brother, Ts'ao Shih-ch'ang, and brother's son, Ts'ao Kung, are also famous for their calligraaphy, and they were collectively called the "Three Ts'ao's of Wu." According to biographies, however, Ts'ao Chih-po's son Yung (style name Shih-ch'ang) did not have any brothers, so Ts'ao Shan must be one of his cousins. Ts'ao Shan used small standard script to write out this classic in 1365. His calligraphy is pure, simple, and elegant, and the structure of his characters is somewhat disorderly. A slight awkwardness in Ts'ao Shan's brushwork also reveals Chung Yu's influence.