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长安雪后似春归。积素凝华连曙晖。色借玉珂迷晓骑。光添银烛晃朝衣。西山落月临天仗。北阙晴云捧禁闱。闻道仙郎謌白雪。由来此曲和人稀。岑嘉卅雪后早朝诗。华亭沈荃。印记资料:
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收藏着录: 故宫书画录(卷八),第四册,页10 内容简介(中文): 沈荃(西元一六二四-一六八四年),华亭(今上海松江)人。字贞蕤,号绎堂,一号位葊,又号充斋。清世祖顺治九年(西元一六五二年)探花,官礼部侍郎,諡文恪。学行醇洁,书法有名。沈荃尝于圣祖朝奉召入宫,与论古今书法。且下笔正其书,兼析原由,圣祖甚嘉荃之忠益。故凡制碑版或殿廷屏障、御座箴铭,亦皆命书,足见荃之为当朝所重。前人评其书学董其昌,而无其气韵,但行书功力,仍有可观之处,尤此巨幅大字,诚属不易。 内容简介(英文): Shen Ch'uan, known also by his style name Chen-jui and sobriquet I-t'ang, was a native of the town of Hua-t'ing near Shanghai. In 1652 he placed third in the exams for entry into the prestigious Han-lin Academy; thereafter he eventually rose to the position of Vice Minister in the Ministry of Rites. He was noted for his honesty and erudition and his accomplishments in the art of calligraphy.Shen Ch'uan was once summoned to an audience with the Sheng-tsu Emperor during which the scholar and emperor discussed the art of calligraphy. Shen used his brush to demonstrate the origins of calligraphy, and the emperor responded by commending Shen's loyalty. Thereafter, whenever a stele or dedicatory plaque was needed for the palace, the emperor summoned Shen to provide the calligraphy. Critics have complained that although Shen followed Tung Ch'i-ch'ang's style, his characters lacked the spirit resonance of Tung's characters. theless, his running calligraphy still has its own strengths, as is apparent in this large hanging scroll.