书体:

色彩:

浅设色

装裱形式:

轴

创作时间:

文字类型:

质地:

本幅纸诗塘纸

释文:

印记资料:

鑑藏宝玺：乾隆御赏之宝
鑑藏宝玺：乾隆鑑赏
鑑藏宝玺：石渠宝笈
鑑藏宝玺：三希堂精鑑玺
鑑藏宝玺：宜子孙
鑑藏宝玺：乾隆御览之宝
鑑藏宝玺：养心殿鑑藏宝
鑑藏宝玺：嘉庆御览之宝
鑑藏宝玺：宣统御览之宝

题跋资料:

题跋类别：作者款识；作者：沈周；题跋位置：本幅；款识：杏林书馆。沈周写。；书体：行书；全文： 印记：沈氏启南

题跋类别：题跋；作者：徐源诗塘成化辛丑岁季冬吉旦。赐进士第承德郎兵部武库司主事瓜泾徐源着。；书体：楷书；全文：杏林书馆图。沈石田所作也。郡庠葛君行简。以贻医师公尚陈先生。其日吾二子在繈緥时。多疾。几不免。赖其剂而全矣。渠今感德无以巳也。用此图画与此辞赋。所以报焉者亦有既矣。赋云。我怀想夫至人兮。愿日幸而无由。匪关梁之不通兮。重道里之且修。集众英以罗莳兮。培异种而幽生。阳发坤以房敛兮。阴跻干而花明。方昼夜而（篲火）炊兮。乃瀹烝其抵根。看不疑于櫑具兮。逢王傅于殿门。辞嘉惠而肥遯兮。谓素餐而忸怩。以庐山之屏矗兮。终吾生以栖迟。同匡谷而厞隐兮。与乐天而偃仰。示叔谦以伐木兮。授长房以竹杖。仰黔羸而造化兮。俯冯夷而上浮。啖道华之一枣兮。绝契虚之三化。凌飓风而恣睢兮。抚（木煔）云而徜徉。连竹孙于嶰谷兮。翽凤鶵于高冈。驾绛螭而骖翠蚪兮。周四极而不息。历泰远而邠国兮。怳濮铅而祝栗。（奭斗）羽觞而咀琼羞兮。嗜六气而可爱。饫朝霞于沦阴兮。暨正阳而沆瀣。岂与世而溷溷兮。超氛埃以傲舒。王乔为之掌籥兮。蚩尤为之守庐。方春日之暄妍兮。漫杏林之鲜丽。气固骄于松筠兮。香更嘉于兰蕙。肇馀类以汋约兮。谁敢冀乎遐龄。曰十病而九瘳兮。闻稚川之宁馨。成化辛丑岁季冬吉旦。赐进士第承德郎兵部武库司主事瓜泾徐源着。印记：瓜泾、徐源仲山、尚书郎官

主题:

主要主题：山水  ；次要主题：建筑斋馆书馆；次要主题：建筑篱笆、围墙围墙；次要主题：花草杏花 ；其他主题：建筑桥 ；其他主题：器用文玩（琴棋书画）书；其他主题：器用家俱（屏风）书桌、椅；其他主题：树木  ；其他主题：人物高士（士人、隐士）高士二人；其他主题：山水溪涧、湍泉溪

技法:

皴法披麻皴人物衣纹描法(减笔) 苔点 

参考资料:

收藏着录： 石渠宝笈初编（养心殿），上册，页651。 收藏着录： 故宫书画录（卷八），第四册，页77。 收藏着录： 故宫书画图录，第六册，页255-256。 参考书目： 1.江兆申，〈沈周杏林书馆　轴〉，收入国立故宫博物院编，《吴派画九十年展》（台北：国立故宫博物院，1975年初版，1976年再版，1981年三版），页296 - 297。 内容简介（中文）： 吴郡庠生葛行简二子，在襁褓时多病，医师陈公尚治愈之。葛因请沈周作杏林书馆图，兵部主事徐源作赋以为谢。徐赋署年成化辛丑（一四八一），是时沈周五十五岁。画杏林中瓦舍数间，一人坐敞堂中静读，盖写医师陈公尚也。客从桥外来，绕围墙而就问，盖写病人之求治者。山树画法皆与五十岁时为吉之所画山水甚近，笔意圆熟，惟更为遒劲耳。神仙传云：「董奉居庐山，为人治病。重者种杏五株，轻者种一株，号董仙杏林」。杏林书屋，盖取义于此。 内容简介（英文）： 1481Shen Chou / The Almond Grove Studio / Ko Hsing-chien, an official in Suchou, had two sons who were gravely ill in infancy. They were cured by the doctor Ch’en Kung-shang. In order to thank the doctor, Ko commissioned a painting from Shen Chou and an essay from Hsü Yüan, an official in the Board of war. Hsü’s essay, which is mounted above the painting, is dated 1481; at that time Shen Chou was 54 years old. In an almond grove are several tile-roofed cottages; in one of them sits a man reading quietly. This is the doctor Ch’en Kung-shang. A visitor is approaching across a bridge; he must skirt the wall to enter the compound. This is an ailing person seeking the old of the doctor. The technique in the trees and mountains is very close to the landscape painted for Chi-chih five years before. The brushwork is full and mature, even more vigorous than that of the earlier work. The subject of the painting is derived from a story recorded in the Shen-hsien ch'uan: "Tung Feng lived at Mt. Lu and was a great healer of diseases. He did not charge cash for his services, but extracted a fee of five almond trees for the cure of a serious illness, one almond tree for a mild affliction. The resulting orchard was called Tung’s almond grove.“ The title of Shen Chou’s painting was derived from this story.