书体:

隶书

色彩:

装裱形式:

卷

创作时间:

文字类型:

汉文

质地:

本幅纸拖尾纸

释文:

稽古笃睦。茂于放勳。罔漏吞舟。裕于周文。是以布政。未朞人神。并和皇天。则降甘露。而臻四灵。挺芝艸。吐醴泉。虎豹鹿兔。咸素其色。雉鸠燕爵。亦白其羽。连理之木。同心之瓜。兰陔世兄属。何绍基。

印记资料:

作者印记：何绍基印
作者印记：子贞
收传印记：习是斋藏天随阁遗箧珍品（重一）

题跋资料:

题跋类别：题跋；作者：谭泽闿拖尾 ；书体：行楷书；全文：此临魏上尊号奏也。然仍用两京笔法。实猨叟本家书耳。毛兰陔号能伪作叟书者。此定其所藏也。己巳（西元一九二九年）霜降。一夕捡所藏何书。展此卷偶记。瓶翁。印记：谭姓翰墨签谭泽闿包首  蝯叟隶书大字卷子。宣纸本。庚申七夕长沙收得。中秋日上海装成题记。瓶斋祕笈。

主题:

技法:

参考资料:

收藏着录： 谭伯羽谭季甫先生昆仲捐赠文物目录，页180-181.304 参考书目： 游国庆；〈笔走龙蛇—清代中晚期经学家书法〉，《故宫文物月刊》，第351期（2012年6月份），页114-127。 内容简介（中文）： 何绍基（一七九九─一八七三），湖南道县人。道光十六年考中进士以后，曾经出任官职，担任翰林院编修。后来选择教书工作，在山东、湖南、浙江等地讲学，对文字学、金石学研究深入，是有多方面成就的书法家。何绍基写字，用回腕执笔法，写来和一般人同样顺畅。此幅虽然临写三国魏〈公卿上尊号奏〉，却没有忠于原碑的笔法，他把汉隶和颜真卿楷书的质素引进来，使原来方峻的气息变为浑厚，可说是何绍基自己的风格。这种融合变化出来的风格，虽然自成一家，却不适合初学书法的人临写。因为何绍基这种风格是通过长久临池功夫，奠基在熟练的楷书和隶书笔法之上。 内容简介（英文）： Ho Shao-chi, a native of Hunan province, was a chin-shih civil service candidate of 1836. As an official, he went on to serve in the Hanlin Academy. Later, he decided to take up teaching and served as an instructor in Shantung, Hunan, and Chekiang provinces. He delved into the study of Chinese characters and ancient characters on bronzes and stone, becoming a calligrapher of many talents.Ho Shao-chi's calligraphy was done with twisting wristwork as he held the brush, and it therefore appears quite fluid. Although this handscroll was done after the “Kung-ch’ing shang-tsun hao tsou” stele from the Wei dynasty (386-557), Ho Shao-chi took liberty with the style of the characters on the original stone stele. He added elements of Han dynasty (206 BC-AD 220) clerical script and the standard script of Yen Chen-ch’ing (709-785) to make the stiff carved features appear softer in a style all his own. His fusion of manners, however, is not appropriate for beginners in calligraphy because it requires a firm foundation in the techniques of standard and clerical scripts.