书体:
草书色彩:
装裱形式:
册(折装‧方幅式)创作时间:
文字类型:
汉文质地:
本幅纸释文:
(第一首)老来幽事尚相关。巧者何如拙者闲。写出诗家言外意。世间画史漫如山。(第一首)缺壸声里短歌行。笔下分明是此声。白发满头人事改。平生湖海未忘情。困学枢。印记资料:
作者印记:困学斋题跋资料:
主题:
技法:
参考资料:
收藏着录: 石渠宝笈三编(延春阁),第六册,页2560-2564 收藏着录: 故宫书画录(卷三),第一册,页254-259 内容简介(中文): 鲜于枢(西元一二五七-一三○二年),字伯机,号困学民,渔阳(今属北京)人。善词赋通音律,能鑑定书画及古器。至元间官浙江行省都事,大德六年任太常典簿,是年卒。行楷得晋唐雄劲笔意,草书学怀素。赵孟頫曾谓:「伯机草书过馀远甚,极力追之而不能及。」笔势豪迈圆劲,使转纵横,落笔不茍,有北方人雄强的气魄。本幅选自「元人诗翰」册第六幅。 内容简介(英文): Hsien-yu Shu (style name Po-chi; sobriquets K'un-hsueh-min, Chih-ch'i lao-jen, and Hu-lin yin-shih) was a native of Yu-yang, Hopeh. He excelled at the connoiseurship of calligraphy, psinting, and antiquities. He had a grand manner and was erudite and talented, excelling at both painting and calligraphy. Hsien-yu Shu's running and standard scripts fully acquired the grand manner of the styles by Chin (319-420) and T'ang (618-907) period calligraphers. For cursive script, he studied the style of the monk Huai-su (ca. 735-800?). Hsien-yu Shu practiced their styles diligently and was completely immersed in them. This particular scroll contains two seven-character quatrains rendered in brushwork that is forceful yet moves effortlessly across the paper. The brushwork has been properly executed down to every stroke and dot so that they all strike perfect poses.