书体:

色彩:

设色

装裱形式:

册(折装‧方幅式)

创作时间:

文字类型:

质地:

本幅绢

释文:

印记资料:

题跋资料:

题跋类别：题签；   ；书体：楷书；全文：摩诃迦叶。

主题:

主要主题：山水奇石 主要主题：佛道人物僧（和尚、尼姑）摩诃迦叶；紫金光比丘尼主要主题：经史‧故事 二十五圆通：法尘；其他主题：器用家俱（屏风）座椅；其他主题：器用服饰（对人）鞋；其他主题：器用宗教器用唸珠；其他主题：花草 花

技法:

皴法 人物衣纹描法(匀称线条) 

参考资料:

收藏着录： 故宫书画录（卷八），第四册，页141 收藏着录： 故宫书画图录，第二十三册，页62-69 内容简介（中文）： 吴彬，生卒年不详，福建莆田人，流寓金陵，字文仲。神宗万历间（一五七三至一六一九）以书画闻名，画山水、佛像、人物皆能自立门户，造型奇异，迥别于前人。 本幅为吴彬「画楞严廿五圆通佛像」册第七幅，表廿五圆通之第六－法因，即摩诃迦叶之圆通－六根中之法尘。佛像之形貌意态，类似城外人士，而其衲衣及衬景湖石，均博色明艳古雅，着重明暗光影，恰如西画技法；用笔沈着而多变化，应是晚年圆熟作品。 内容简介（英文）： Mahãkãśyapa Wu Pin (active 1573-1619) Ming dynasty Wu Pin was a native of P'u-t'ien, Fukien. Residing in Nanking, he acquired fame as a calligrapher and painter during the Wan-li reign (1573-1619). Wu Pin painted landscapes, figures and Buddhist subjects, establishing individual, unusual styles in each genre. This is the seventh leaf of Wu Pin's album “The Twenty-five kinds of Perfect Understanding of Truth Illustrated by the Buddhist Deities at Śũrangama Assembly”, depicting the cause of dharma, Mahãkãśyapa's understanding of Truth. Mahãkãśyapa, a disciple of the Buddha, is portrayed with the features of a foreigner. The lake rock and the figure's clothing are touched with colors that add a feeling of elegance while careful attention to shading suggests some Western influence. This is probably a late work of the artist.