书体:

色彩:

设色

装裱形式:

册(折装‧方幅式)

创作时间:

文字类型:

质地:

本幅绢

释文:

印记资料:

题跋资料:

题跋类别：题签；   ；书体：楷书；全文：周利槃陀。

主题:

主要主题：佛道人物佛 主要主题：佛道人物僧（和尚、尼姑）周利槃陀主要主题：经史‧故事 二十五圆通：鼻根主要主题：山水奇石 ；其他主题：花草 草；其他主题：器用 几、椅

技法:

皴法 人物衣纹描法(匀称线条) 

参考资料:

收藏着录： 故宫书画录（卷八），第四册，页141 收藏着录： 故宫书画图录，第二十三册，页62-69 收藏着录： 吴彬，生卒年不详，福建莆田人，流寓金陵，字文仲。神宗万历间（一五七三至一六一九）以书画闻名，画山水、佛像、人物皆能自立门户，造型奇异，迥别于前人。 本幅为吴彬「画楞严廿五圆通佛像」册第八幅，表廿五圆通之第八－息空，即周利槃特迦之圆通－六根中之鼻根。据后副页陈继儒之题跋云，此册曾经吴兴潘朗士经营指授，胡貌梵相，意态毫发，皆向笔端出现。其中取景造型，皆刻意夸张，表现古拙趣味，笔墨亦蕴借而富变化，从画风看，当属老年之作。 内容简介（英文）： Chou-li-p'an-t'e-chia Wu Pin (active 1573-1619) Ming dynasty Wu Pin was a native of P'u-t'ien, Fukien. Residing in Nanking, he acquired fame as a calligrapher and painter during the Wan-li reign (1573-1619). Wu Pin painted landscape, figures, and buddhist subjects, establishing individual, unusual styles in each genre. This is the eighth leaf of Wu Pin's album “The Twenty-five kinds of Perfect Understanding of Truth Illustrated by the Buddhist Deities at Śurańgama Assembly”, depicting ‘the voidness of breath’, Chou-li-p'an-t'e-chia's understanding of nose -- one of the six sense-organs. The figures of this album are portrayed as foreigners of the West, and the landscape elements are depicted with qualities of exaggeration and bizzareness. The brushwork is rich and mature and suggests that the album is a late work of the artist. 内容简介（英文）： 1.陈韵如，〈吴彬《画楞严二十五圆通册》研究 〉，《国立台湾大学美术史研究集刊》，第13期(2002)，页167-199。